Here’s a 2009 Kendrick Texas Crude Harp Amp in pristine condition. Kendrick hand builds amplifiers in Kempner, Texas. The Texas Crude Harp Amp was introduced in 1993 to provide harmonica players with a solid, reliable, great sounding and loud amp. The design and construction have been unchanged since then.
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This is a wild 2008 Gold Sparkle PRS McCarty Archtop II! Custom built for a prominent Canadian touring band, this unusual instrument has been well maintained and is ready for the stage or set. Paul Reed Smith introduced the McCarty Archtop and Archtop II in 1998, but discontinued it in 2000. Most of the McCarty archtops have carved mahogany back and mahogany sides, and spruce top. This Archtop II,(and its silver-sparkle sister) has carved maple top and back, and maple sides.
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This is a spectactular 2008 Silver Sparkle PRS McCarty Archtop II! Custom built for a touring band, this unusual instrument has been well maintained and is ready for the stage or set. Paul Reed Smith introduced the McCarty archtop in 1998, and this version was produced until 2000.
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Here is a very clean 2011 Martin 000-18. The 000-18 is a fairly plain, straightforward, extremely competent guitar and has been produced by Martin since 1921 (except for 1932 and 1933).
A little brighter than rosewood models, the smaller body size adds to comfort and a more balanced tone, without the potential for ‘boominess’ often found with dreadnought guitars.
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Here’s a wonderful 1962 Fender Super Amplifier.
The need for volume had always been there. By 1962, technology was catching up and significantly more power was available to the working musician. The Super Amp nudged 40 watts into two 10 inch speakers.
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Here’s a very cool 1955 Fender Champ Amplifier. The Champ was introduced in 1948, when it represented a sizeable amount of power and volume, and discontinued in 1982, by which time it was completely overshadowed by stack-type amps with exponentially more power.
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