The beauty of a Jumbo Body guitar is its ability to give out a lot of volume, but with a much clearer tone than a dreadnought. The Guild F-50R has a rich, smooth low end, but a far less overwhelming midrange than other ‘power’ guitars. This makes it an ideal instrument for many singer/songwriters; the guitar has great projection, but it manages to stay out of a vocalists way at the same time. The high end will ring out over top vocals or other instruments, while the bass provides enough sonic foundation to keep things sounding full.
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I’ve always been attracted to a guitar that gives you a lot of sound even with a soft touch. There’s something amazing about playing an instrument that really responds to every subtle little shift of your fingers; it makes you feel like there is one less wall between the sound in your head and what the rest of the room will hear. The Guild F47R is one such guitar. It will never be the loudest guitar in the room, but it has a beautiful sustain at any volume, even with the softest strum you can manage. The narrow waist and smaller lower bout of this Grand Orchestra Model help keep the volume and projection consistent across the entire fingerboard. The Spruce top with Rosewood back and sides combine to create an airy, open, expansive sound that stays clear and defined even at the low end.
MORE →First up, we have a true powerhouse: the D40 Bluegrass Jubilee. Representing Guild’s take on a true classic, this guitar has all the warmth, punch, and clarity a dreadnought player could want. With its thumpy lower midrange, it has a distinctly ‘vintage’ sound; reminiscent of those J-45s from the 50’s we’ve all drooled over at one point or another. The scalloped spruce bracing allows lots of movement from the top, giving the D40 BG a great amount of volume, and i bit more presence in the attack and note fundamental than I usually expect from a guitar with so much ‘warmth’.
MORE →The Gibson Songwriter Dlx Standard combines modern and vintage features into a very attractive and great sounding package! This guitar features a wider hand scalloped “X” bracing pattern based on the Advanced Jumbos from the 1930’s. This allows the top to vibrate more freely resulting in increased dynamic range. The tone wood pairing and body shape provide warm clear lows and articulate trebles with a good note fundamental.
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Historically, manufacturers of flattop steel string guitars have reserved mahogany for their plainer low end guitars … which in a lot of ways is a shame. In Dana Bourgeois’ words “Mahogany guitars are often looked at as poor cousins of rosewood guitars, but we politely disagree, dressing the Country Boy in classic appointments such as ebony fretboard and bridge, wooden rosette, tortoiseshell binding, vintage style top toner, and nickel Waverly tuners. We also consider it worthy of the same diamond volute that we use on the back of our Vintage Dreadnought peghead. In addition to selecting only the finest quartersawn and matched South American mahogany backs and sides, the Country Boy Dreadnought is appointed with an extra premium sitka spruce top.”
MORE →We are seeing more and more great flat top guitars with Madagascar rosewood these days. Madagascar is great choice for builders because its sound and look is so close to Brazilian rosewood at a much lower price. Being a little heavier than Brazilian, Dana hand picks the tops, sides and back to keep the overall weight down and ensure the response characteristics are maintained. With top and back woods picked primarily for their tone the Madagascar rosewood and Adirondack spruce on this guitar go a long way to augment the classic good looks of this dreadnought.
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