The PRS McCarty II is the latest of Paul Reed Smith’s tributes to the great guitar innovator Ted McCarty. This stunning instrument comes standard with a carved figured maple top with a mahogany back body, 25″ scale length, 22-fret mahogany wide-fat neck with rosewood fretboard, moon inlays (new birds optional), PRS Stoptail, vintage style tuners, McCarty II truss rod cover and a new Mastering Voice Control. The Voice Control is fully variable from clean, clear vintage tones to powerful heavy metal sounds. The electronics package also includes new McCarty II Treble and Bass pickups with covers, volume and tone control, 3-way toggle pickup selector and a mini toggle for turning the Voice Control on and off.
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Similar in spirit to the double cutaway Mira model, the single cutaway Starla has many vintage themed appointments and is PRS Guitars’ first solidbody electric guitar featuring a standard Bigsby B5 tail piece and a Grover Tune-O-Matic bridge. The guitar also includes exclusive Starla Treble and Bass pickups.
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Tim Cameron has long been our resident expert on all things Jerry Jones and was good enough to bang out some text and lay down a few audio tracks regarding our current stock!
MORE →The sound of the electric 12 string guitar has been ubiquitous in recorded pop music over the last 40 years. Without this chimey layered jangle … well, bands like the Byrds, Beatles, Tom Petty and countless others would simply not have had “their” sound.
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The Coral Sitar® was such a defining sound of the 60s and with Jerry Jones’ refinements to this classic design, you will feel like you have returned to those halcyon days.
The precision made sitar Buzz bridge produces that now familiar whirring sound and provides for accurate string intonation. The 13 sympathetic strings can be tuned in a variety of ways and can be played as accompaniment or left to ring in sympathy with the fretted notes of the 21 fret neck.
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Jerry Jones has been building custom stringed instruments for professional recording artists for the last 30 years. Probably the most recorded of Jerry’s instruments is the electric sitar. These instruments successfully replicate the sounds on numerous recordings from the 60’s & 70’s and are handy to have around the studio for adding a different tone-colour to a track.
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