Left handed Les Pauls are not always easy to find, and lately it’s even harder to even order one. At the time of writing, this 2009 Left Handed Gibson Les Paul Standard Cherry Sunburst is one of the only left-handed Gibson Les Pauls available as new in Canada. Since it’s new old stock, the original warranty applies to the purchaser.
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The immensely successful slope-shoulder dreadnought design of the Gibson J-45 produces a distinctively warm, full tone with sparkling highs and rich midrange tones, and a well represented but not booming bottom end. It’s also fairly loud, but not overwhelmingly so.
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This 1963 Gibson J-50 Natural is in quite good playing order, with lots of saddle height. It plays well and sounds great – it has been played over the years and you can tell from the tone.
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Here’s an original – a 1944 Gibson J-45, built during the first year of production. Drawing heavily on the design of the just-discontinued J-35, the J-45 mostly differs with stiffer X bracing, tall, thin and scalloped top bracing, a fatter, non-V neck profile, and only being available with a sunburst finish.
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The Gibson Byrdland features a unique blend of large and small; a full 17 inch wide body with a 2.5 inch depth, and a rather short 23.5 inch scale length that’s intended to allow players to grab big chords and play fast.
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The Gibson ES-175D first appeared in 1953, as a two P-90 pickup version of the single pickup ES-175 introduced in 1949. In 1957, Gibson added their all-new humbucking pickups to the ES-175, along with much of the rest of their lineup. Over the years, the Gibson ES-175D has become known as just the ES-175.
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