William Laskin has earned international renown in part due to the startling visual impact of the graphic inlay work that highlights his instruments. Departing completely from traditional guitar aesthetics, he has pioneered such diverse and unusual materials as azurite, coral, camel bone and Tahitian black pearl. He has the uncanny ability to breath life into his subjects using unconventional acid oxidizing techniques. His fluid images are modern, almost surrealistic. His stimulating inlay seminars have attracted artisans from across the continent. In 1995 Larry Robinson wrote the definitive book on inlay, featuring Laskin’s work.
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