History speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the world’s first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.
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Today, we are featuring another beautiful guitar from the Gibson Custom Shop; The ES 330L. While not part of Gibson’s standard production line, a few reissues seem to trickle out of Memphis every couple of years, and we simply can’t get our hands on enough of them. In fact, we have had several of these instruments through our shop over the past year, and every single one has sold before we get the chance to post it online! A couple of months ago, we received an ES 330 L with a beautiful cherry finish. Determined to post a review of the guitar before someone bought it, I unpacked the guitar, sat down, and got straight to work.
MORE →Okay, we all know that the sound of a guitar is its most important attribute. Then again, it sure doesn’t hurt to have a guitar that’s easy on eyes, does it? Well call me superficial, but I was in love with this Guild F47mATB before I had even played it. The best part is, it sounds even better than it looks! Everything I love about the F47R follows over to the F47mATB, but with a slightly brighter voicing. There is a hint more compression to the low end, giving the guitar a bell like ring that just sings. I never like to pick favorites (I think players should approach every new guitar with open eyes), but if someone were to twist my arm into naming my pick from the bunch, I wouldn’t not choose the F47mATB…… Cough, cough…
MORE →This guitar is the same as the D40 BG, without the pickup, and with a more traditional natural finish. With no sunburst to cover it, the clear tight grain of the adirondack spruce top really shines. With its minimalistic detailing and top-notch construction, the D40 BG can proudly stand among the J45s, D18s, and DN5s that stand at the top of the list of classic workhorse dreadnoughts.
MORE →The beauty of a Jumbo Body guitar is its ability to give out a lot of volume, but with a much clearer tone than a dreadnought. The Guild F-50R has a rich, smooth low end, but a far less overwhelming midrange than other ‘power’ guitars. This makes it an ideal instrument for many singer/songwriters; the guitar has great projection, but it manages to stay out of a vocalists way at the same time. The high end will ring out over top vocals or other instruments, while the bass provides enough sonic foundation to keep things sounding full.
MORE →I’ve always been attracted to a guitar that gives you a lot of sound even with a soft touch. There’s something amazing about playing an instrument that really responds to every subtle little shift of your fingers; it makes you feel like there is one less wall between the sound in your head and what the rest of the room will hear. The Guild F47R is one such guitar. It will never be the loudest guitar in the room, but it has a beautiful sustain at any volume, even with the softest strum you can manage. The narrow waist and smaller lower bout of this Grand Orchestra Model help keep the volume and projection consistent across the entire fingerboard. The Spruce top with Rosewood back and sides combine to create an airy, open, expansive sound that stays clear and defined even at the low end.
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