The Twelfth Fret ~ Since 1977 ~

Posts Tagged electric

SOLD!!! Duesenberg SR52 Gold Top

SOLD!!! Duesenberg SR52 Gold Top

I just don’t think this guitar could possibly look any better. When it comes to design and a sense of style, Duesenberg is right up there with the best! Beyond the visual appeal, the SR-52 is a very well put together machine, with excellent hardware, construction, and appointments across the board. The controls are simple and elegant. A single “Little Toaster” humbucker is connected to a 3-position selector switch, giving a great tonal variety. Moving through the pickup settings will take you from classic twang to thich, chunky bark…. all from a single pickup and some series/parrallel switching. Master volume and tone controls round out the electronic setup, giving you all the versatility you need.

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SOLD!!!Duesenberg Starplayer TV-Outlaw

SOLD!!!Duesenberg Starplayer TV-Outlaw

If ever there was a guitar designed for Darth Vader and Clint Eastwood, this is THE guitar. I just could not help myself with this one. I’ve always had a “secret” love affair with Gretsch guitars but have always been weary of taking the plunge on a guitar that I wouldn’t use that often, never mind carving up the top to fit a PAF style humbucker. Enter the Starplayer TV Outlaw. Our Dusenberg rep Mike Gregory had me at the faux Alligator hide finish. (Insert long sigh here_____________). What can I say that hasn’t been thought or said? Stunning looks aside; the guitar truly is a marvel of tone with its humbucker/ P90 configuration. Sporting a hollow body construction with a sustain block, this guitar is right at home with Rockabilly and Hard Rock. The fretwork, courtesy of PLEK, makes this guitar a dream to play. The addition of a Bigsby style tremolo unit adds even more mojo to this beauty. The fact that it works flawlessly makes it even more of a marvel. I’m asked on a daily basis…”Mike, which guitar is your favorite guitar in the store right now”. Without one shred of doubt, it would have to unequivocally be this guitar.

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Campbell American Custom Burled Walnut UK-1 – SOLD!

Connections are the very heart of the music industry. There are all sorts of connections that help us do what we do. From 1/4 “ connection to SPDIF connections to Firewire, they all are integral to the way we make music. There are other connections that are more human and involve a sight, touch, smell and sound. From the first phone call that I took from Dean Campbell, we had a connection, as we are both no-nonsense, brutally truthful to a fault and proud fathers to some very cool kids. Dean’s guitars are about a human connection. They are built one by one and with a whole lot of love and mojo thrown in for good measure.

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Campbell American Transitone ❌SOLD❌

Campbell American Transitone ❌SOLD❌

I have a very clear memory of the first time I held a Campbell American guitar in my hands. It was a double cutaway solid body with a flat black finish and a bolt-on maple neck. For such a basic design, it looked surprisingly cool. There was something very elegant about the simplicity of it all. Then I played it, and all thoughts of “simplicity” got burned away. The guitar played like an absolute dream. The neck was beautifully carved. The fretwork was impeccable. The body was lightweight and well contoured. The hardware and electronics were all top notch. Never before had I played a guitar that relied so little on flashy looks, yet was able to completely blow me away.

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Campbell American Precix – SOLD!

Campbell American Precix - SOLD!

It isn’t often that a guitarist gets to be given a “Carte Blanche” on design and building a guitar. This is exactly what happened in the case on this fine specimen…after Dean won the Floyd Rose debate. Owner Dean Campbell and I went back and forth until we came up with this winning combination of features and aesthetics.

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Harrison “Neo Jazz” 17″ Archtop SOLD

Harrison "Neo Jazz" 17" Archtop  SOLD

Over the years, Douglas Harrison has proven his ability to evolve and innovate when it comes to the principles behind his guitars’ designs. Harrison’s latest creation, the Neo Jazz 17″ archtop, is an absolute masterpiece. Several subtle adjustments to the traditional archtop design combined with flawless execution create an instrument that simply screams quality. Visually, the Neo Jazz has a striking look, both elegant and modern. The real brilliance behind the Neo Jazz’s design is that the very features that are the most visually bold are the same features that make it such a sonic powerhouse.

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THE TWELFTH FRET

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