I’ve never actually seen one of these before – but, there were only about 200 produced, between 1948 and 1955. This is a 1950 Gibson Super 300. The Super 300 is very similar to its much better known older brother, the Super 400. The key difference is the modesty of the 300’s decoration – at least compared to the Super 400.
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This 2006 Epiphone Joe Pass Emperor II is in great shape. The compact body is comfortable yet full-sounding, and the hardware is of good quality. It’s had so little use that the foam shipping strip is still under the bridge!
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The Harmony company made a huge number of instruments between 1945 and 1978, under their own name and under contract to other distributors and retailers. At one time, if you went anywhere in North America, somebody had a Harmony-produced instrument.
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The ES-345 model with stereo and varitone was next to top of the line for Gibson thinlines – the next step was the ES-355, with the same general features but an ebony fingerboard, block position markers, more binding, and often a Bigsby or Maestro Vibrola.
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This 1960 Gibson ES-330T Thinline Archtop Guitar is in excellent all-original condition, with no real marks or wear. As t the ‘T’ model, it’s unusual in having one pickup – mounted in the center position rather than in the neck or bridge positions.
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In the time between the World Wars, giant archtops ruled the Earth’s stages and bandstands, and in that period, Epiphone was one of the most dominant names. During the 1930’s, Epiphone used the ‘Masterbilt’ label to denote higher-end instruments.
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