This 1974 Guild Starfire II Walnut is in good shape and is a good example of the quality of Guild instruments. The Starfire II is a fully hollow, 17 inch mahogany guitar with floating rosewood bridge and a florentine cutaway. The lacquer finish is lightly checked and there are just a few dings and scratches. It plays quite well and is set up with a moderately low action.
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This example of the Ibanez George Benson GB-10 is in very good condition, with light play wear; with a good clean it could look near mint but aged. The binding has yellowed very nicely, perhaps to the tone of a 1950’s guitar.
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Here is a very nice 1977 Guild X-175 Blonde Manhattan Archtop. Guild archtops are not extremely common, but are highly valued. Originally drawing from the heritage of the Epiphone workforce, Guild has produced many extremely good instruments over the years. They feature solid, practical designs, excellent wood selection, and top level craftsmanship.
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Here is the very, very cool Gretsch 130th Anniversary Junior – G6118T LTV JR. Gretsch has from time to time made smaller-bodied versions of their guitars, perhaps to balance out the giant Falcon and Country Club models.
But this isn’t a ‘Mini’ guitar – the body is smaller, close to the size of a George Benson model, but it’s full scale so the tension and tone are all there.
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The Gibson Super 400 was the top of the line for many years, and appeared on stages in many genres. It was not only popular with jazz players, but also with country and rock guitarists; Merle Travis of course used a Super 400 CES and Scotty Moore recorded a lot of early Elvis material on his Super 400.
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The Gibson Byrdland features a unique blend of large and small; a full 17 inch wide body with a 2.5 inch depth, and a rather short 23.5 inch scale length that’s intended to allow players to grab big chords and play fast.
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