The Twelfth Fret ~ Since 1977 ~

Posts Tagged acoustic

1992 Gibson Chet Atkins SST Solidbody Acoustic (consignment) SOLD

1992 Gibson Chet Atkins SST Solidbody Acoustic (consignment)  SOLD

In addition to being a great player, Chet Atkins came up with many great ideas to push the guitar forward. During his association with Gibson, two novel instruments appeared: the Gibson Chet Akins CE Classical Electric, and the Gibson Chet Atkins SST solidbody acoustic.

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1939 Gibson J-35 SOLD

1939 Gibson J-35 SOLD

The Gibson J-35 featured a spruce top with mahogany for the back, sides and neck, and rosewood for the fingerboard and bridge. Originally, the available finish was sunburst, as this hides many visual flaws in otherwise good-sounding and usable wood, which in turn lowers costs and price.

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1955 Gibson J-45 (SOLD)

1955 Gibson J-45 (SOLD)

This 1955 Gibson J-45 has clearly been played, and has had some work done over the years; the original strip-mount Kluson Deluxe tuners have been replaced with Grover Roto-Matic models and a Fishman pickup with endpin jack has been added, and at some point the bridge was replaced with a fixed-saddle design.

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New Old Stock! Martin 000-18 Authentic 1937 Model SOLD

New Old Stock!  Martin 000-18 Authentic 1937 Model   SOLD

New Old Stock! Built in 2007, this Martin 000-18 Authentic 1937 Model is brand new with full warranty!

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2009 Left Handed Gibson Les Paul Standard Cherry Sunburst SOLD

2009 Left Handed Gibson Les Paul Standard Cherry Sunburst   SOLD

Left handed Les Pauls are not always easy to find, and lately it’s even harder to even order one. At the time of writing, this 2009 Left Handed Gibson Les Paul Standard Cherry Sunburst is one of the only left-handed Gibson Les Pauls available as new in Canada. Since it’s new old stock, the original warranty applies to the purchaser.

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1958 Gibson J-45 (NO LONGER AVAILABLE)

1958 Gibson J-45 (NO LONGER AVAILABLE)

The immensely successful slope-shoulder dreadnought design of the Gibson J-45 produces a distinctively warm, full tone with sparkling highs and rich midrange tones, and a well represented but not booming bottom end. It’s also fairly loud, but not overwhelmingly so.

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THE TWELFTH FRET

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