The Martin D-16GT acoustic guitar features a D-14 platform and a Dreadnought body design which incorporates modern guitar specifications with the famous Martin quality and sound.
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Sometimes simplicity really is the best way to go. The original 1976 Stingray from Ernie Ball Music Man has found a soft spot in many players hearts, thanks to its straightforward, rock-solid design and versatility.
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The Trussart SteelDeville pays homage to a classic single cutaway body shape that many players are familiar with. What may not be familiar is the super cool vibe of the antique copper body. This is a totally different kind of “Heavy Metal.” This unique guitar features a perforated “Holey Metal” back which helps to reduce the weight by approximately 1/2 pound. The “59” profile neck shape has substance and feels equally at home for blues bends and faster single note alternate picking. The electronic configuration is instantly familiar with two volume and tone controls and a three way pickup selector. The Arcane Inc humbuckers are clones of vintage Patent Applied for Pickups and produce smooth and creamy clean tones all the way to a snarling growl when cranked up! This guitar has everything you could want out of a classic single cutaway humbucker guitar as well as a unique vibe and look provided by the Antique copper body!
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When we receive a delivery from James Trussart guitars, a small crowd is bound to form. Like my colleagues, I can’t help but get excited as as the case is opened for the first time. Every Trussart guitar we get is special in its own way. From the detailed engravings, to the different pickup combinations, to the unique resonance of the body, every single one has a bold and expressive personality of it’s own. Today we are featuring just such a guitar: the Deluxe SteelCaster.
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Out of all of the acoustic guitar builders who have added solidbody electric guitars to their line in recent years, Jean Larrivee has to be the most experienced. For seven years in the ’80s, Jean switched production largely to solidbody electrics and produced a very respected line that included the bolt-on-neck LS & LT series, as well as a very well received neck-thru RS series that culminated in the RS-4 with carved highly flamed maple tops! Even though the shop had a lot of fun creating sometimes wild new body styles and graphic finishes, these were very serious musical instruments that displayed all of the attention to detail that has distinguished Jean’s work throughout his long career.
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How many companies (including the one that invented this finish) have tried to recreate the “TV Yellow” finish with disastrous … even hideous results? Let’s just say “many”. Why am I not surprised that Bill Collings has managed to really nail it!
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