The Guitarra del Tiempo was created to commemorate one hundred forty years of peerless Ramirez design and construction. This guitar features a newly-designed enhanced top-brace system that delivers articulate noting and full-bodied tone. The Ramírez Guitarra del Tiempo’s ample volume and reactive dynamics will satisfy the most demanding guitarist.
Instruments
The National Style O 14-fret model dates back to the early days of Resophonic guitars, as banjo players migrated to guitar and wanted access to more fret. The 14-fret to the body Style O was introduced in 1935 by the National Stringed Instrument Corporation. It came with either the Traditional Sieve pattern cover plate or the newly introduced Chicken Foot cover plate. in 1935 this guitar had a slotted headstock with a decal.
The Taylor 914ce V-Class is a spectacular guitar, delivering top shelf performance in a beautifully crafted package. Pairing Sitka Spruce with Indian Rosewood for the sides and back, and Mahogany with Ebony for the bound fingerboard, headplate and body binding, the Taylor 914ce V-Class also sports the new Ascension inlay pattern, plus soundhole and body outlines, in a Paua and Mother of Pearl. For added comfort, the lower bass bout features a Laskin-style armrest, using Ebony.
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MORE →The Avalon A200 is a classic Auditorium sized guitar, producing a wonderfully rich, balanced tone with depth and sparkle from its Sitka Spruce top and Indian Rosewood back and sides.
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MORE →This is a rare, new item- a D’Angelico Excel SD Bass in Grey-Black finish. Though these would not have come from the original D’Angelico shop, this is a high quality instrument with elegance and tone.
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MORE →As one of the most recent versions of the 4000 series, the Rickenbacker 4003 Bass has the most up to date features and hardware. This 2007 example sports the Blue Burst finish, colour of the year for 2005. Rickenbacker is arguably the first builder to market production electric guitars, in both the lap steel format and the Electric Spanish format, in the Ken Roberts model.
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