The Martin 00 28 model has been in production, though not continuously, since 1898 and is a mid-sized guitar, between the 0 and 000 or OM body sizes. The ’00’ indicates the body size, while the ’28’ indicates the materials trim and decoration level. Like other ’28’ models, it pairs a Sitka Spruce top with Indian Rosewood for the back, sides and head plate, Mahogany for the body blocks and neck, and Ebony for the fingerboard and bridge.
Instruments
This is a treat – one of the last pieces from the now-closed Memphis plant, a Gibson ES345 1964 Reissue in Frost Blue with nickel plated hardware. Gibson hit the mark squarely in 1958 with the introduction of the groundbreaking thinline semi-hollow concept, coupled with their new humbucking pickups. The ES-335 and upscale ES-355 were an immediate hit, and in 1959 the line was filled out with the mid-range ES-345, which also sported Split Parallelogram position markers and a six-position Varitone circuit, but not the Stereo outputs or extra binding of the ES-355.
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MORE →Here’s a lovely and unusual piece – a Gibson Advanced Jumbo Historic Collection model, patterned after the original 1936 round shouldered, Rosewood dreadnought. While this looks rather like other Gibson round shoulder models – particularly the venerable J-45 – the Advanced Jumbo has a longer scale length, the X brace is moved closer to the soundhole, and the sides and back are Rosewood instead of Mahogany. Gibson launched the Advanced Jumbo in 1936 but discontinued it in 1939. The original models used a mix of Brazilian and Indian Rosewood – both are documented.
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MORE →The Martin D28L is, as the name suggests, the left handed version of the classic D-28 that made its debut in 1931 and immediately became one of the benchmark steel string guitars. Built using the dreadnought ‘D’ body with ’28’ features, it pairs a Sitka Spruce top with Indian Rosewood for the sides, back, head plate and bridge. The neck is Mahogany with a 25.4 inch (645mm) scale length Ebony fingerboard and 1.7 (43.2mm) nut width.
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MORE →The Eastman ER2 El Rey is designed to produce a full archtop sound from a smaller, much lighter body – it is only 14 inches across, a bit bigger than a Gibson Les Paul. Otherwise it has a relatively typical archtop construction – solid, hand carved spruce top, solid and hand carved flame maple back, solid flame maple sides and neck, and ebony for the fingerboard, bridge base, and tailpiece cover.
This instrument has sold
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