Seen here is a wartime (WW2!) Martin D-18 Dreadnought, built during 1943 at Nazareth PA and in great playing condition. Accompanied by a recent appraisal from George Gruhn, this piece is in structurally very good condition with wear expected for over 80 years of use. The back of the head does not have a ‘Made in USA’ stamp, which was typically used to identify guitars built for export, particularly to Canada.
Vintage
Here’s a very nice, well preserved long scale Larrivee Classical Guitar built during 1975 in Toronto, in one of the last locations before the growing company moved to Victoria B.C. This Jean Larrivee classical guitar features a Sitka Spruce top paired with Indian Rosewood for the back, sides, head plate and bridge.
This instrument has sold
MORE →Here we have a Fender Mustang Bass Fretless Conversion in Mocha, sometimes called Walnut, finish, built during 1975 at Fullerton California, about half way through the CBS ownership of Fender. Construction and materials followed the usual Fender pattern of the time, pairing an Alder body with a Rosewood-capped Maple neck.
This instrument has sold
MORE →The Ramirez Model 1a Tradicional, seen here with a Red Cedar top, has been a benchmark of top quality classical and flamenco guitars for over half a century. The 1a designation technically refers to the quality of the materials and workmanship, but has become associated with the Tradicional model.
This instrument has sold
MORE →Introduced in 1960, the Fender Jazz Bass was intended to provide a more accurate simulation of an acoustic bass sound, aimed squarely at jazz players. Here we’re looking at a Fender Jazz Bass from 1973 in a black poly finish; prior to 1968, these basses received a nitrocellulose lacquer finish.
This instrument has sold
MORE →The Fender Telecaster Bass launched in the surprisingly late year of 1968, though its appearance is very much like the original, revolutionary 1951 Precision Bass. From a modern perspective, there isn’t a lot to the Fender Telecaster Bass. It is basically an ash or alder slab body with a one-piece maple neck bolted to it, a bridge, and from 1968 to 1972 a single coil pickup with volume and tone controls.
This instrument has sold
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