The C. F. Martin 000-18 Golden Era model is an attemtp to faithfully reproduce a carefully examined 1937 instrument, with Adirondack Spruce top and Mahogany back and sides.
This instrument has sold
MORE →The C. F. Martin 000-18 Golden Era model is an attemtp to faithfully reproduce a carefully examined 1937 instrument, with Adirondack Spruce top and Mahogany back and sides.
This instrument has sold
MORE →The Fender Eric Clapton Stratocaster is based on ‘Blackie’, the 1950s Stratocaster used by Clapton for a lot of his post-Cream work. That particular guitar is put together from a 1956 body and 1957 neck, with some 50’s pickups and one 1970’s. The Blackie version body is Alder with a gloss black urethane finish, and the neck is a quite comfortable 1957 style soft V shape. The frets are thankfully a somewhat taller Vintage style. For electronics, a set of Vintage Noiseless single coil strat pickups is used.
This instrument has sold
MORE →The Ludwig Ambassador tenor banjo is an example of a business recognizing opportunity. The Ludwig Drum Company started in 1909 and by the early 1920’s realized that banjos are closely related to drums, and offered a range of models. However, by the early 1930’s as banjos started to wane, Ludwig moved back to its core business – and is still a respected name in drum manufacturing.
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MORE →The Gretsch G6120 DS Nashville is based on 1955-56 6120 models equipped with single coil deArmond DynaSonic pickups. Built for a short time starting in 2003, it is a ‘dressed down’ version of the G6120 DSV – it lacks the Western-style decorative G brand on the body and engraved block inlays.
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MORE →For most of the time since its 1954 introduction, the Fender Stratocaster has been very popular and has been available in a myriad of colours, though natural has not always been one of them. The first versions were often sunburst or translucent white, but automotive based colour schemes followed quickly.
This instrument has sold
MORE →The Larrivee L-09, based on the classically influenced L-body series, features a Sitka Spruce top paired with Indian Rosewood back and sides. The L series first appeared in the 1980’s and the balanced body shows the clear influence of classical builders, like Edgar Monch, that Larrivee was exposed to during his early days in Toronto.
This instrument has sold
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