The Alhambra model 7P Classic classical guitar is probably our most popular model for the serious student of the classical idiom. With its all solid wood construction, this instrument will develop and grow with you as your skills, technique and repertoire expand. The solid bookmatched spruce top on this instrument gives excellent note definition and interesting overtone series while the rosewood back and sides impart a warm foundation for the note fundamental and a golden overall tonality.
Toronto
The Fender Stratocaster Plus was one of the key developments following the 1985 sale of Fender by CBS to its management, which didn’t include the historic Fullerton plant. The Strat Plus features Lace Sensor pickups, a Wilkinson roller nut and two-post trem bridge.
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MORE →The Gretsch 6120 Chet Atkins appeared in 1954 as a 16 inch wide 2.75 inch deep, single cutaway double pickup model, but for 1962 the new closed ElectroTone body provided a second cutaway shallower depth at 2.25 inches and faux F-Holes.
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MORE →When the Gibson ES-355 appeared alongside the ES-335 and ES-345 appeared in 1958, they were a hit and the ES-335 was the top of the line, with all the extras included as standard. As stock, it always included a vibrato tailpiece – either a Bigsby, a Maestro Vibrola, or the all-new Sideways Vibrola. In addition, the ES-355 was wired in ‘Stereo’ with two jacks so each pickup could go to a separate amplifier or channel.
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MORE →The Gibson Firebird Studio 2017 T is a new version of the ‘reverse’ body Firebird, using set neck construction and standard humbucking pickups. Available in Pelham Blue and Vintage Burst, this is a great alternative to an SG. The first Firebirds appeared in 1963 in the ‘Reverse’ body shape – referring to the lower, treble cutaway ‘horn’ being longer than the usual bass side, and with neck-through construction.
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MORE →The Douglas Harrison GB model has become a standard single cutaway, carved top chambered body thinline guitar intended for jazz guitarists. This model was designed in collaboration with the late Toronto jazz player Gary Benson to meet the needs of a working player.
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