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The Twelfth Fret

National ResoPhonic: The Hollowneck Report Part 2

On May 18, 2011   /    
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National ResoPhonic: The Hollowneck Report Part 2

In Part 1 of the Hollowneck Report, we took an overview of our project comparing five squareneck National ResoPhonic guitars as bluegrass instruments. In The Hollowneck Report Part 2 we’ll start into the recordings so you can see and hear what they’re really like.

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National ResoPhonic: The Hollowneck Report Part 3

On May 18, 2011   /    
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National ResoPhonic: The Hollowneck Report Part 3

The Hollowneck Report Part 3 features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.

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National ResoPhonic: The Hollowneck Report Part 4

On May 18, 2011   /    
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National ResoPhonic: The Hollowneck Report Part 4

The Hollowneck Report Part 3 features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.

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National ResoPhonic: The Hollowneck Report Part 5

On May 18, 2011   /    
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National ResoPhonic: The Hollowneck Report Part 5

The Hollowneck Report Part 5 features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.

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National ResoPhonic: The Hollowneck Report Part 6

On May 18, 2011   /    
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National ResoPhonic: The Hollowneck Report Part 6

The Hollowneck Report Part 6, our final installment, features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.

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No Longer Available – Bourgeois JOMC

On April 25, 2011   /    
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No Longer Available - Bourgeois JOMC

This really is the most versatile guitar in the extensive Bourgeois line. In Dana’s words; “JOM stands for JUMBO OM. The JOMC is an original body style developed in the late 80’s, in response to players’ requests for a mid-sized guitar having the balance and clarity of an OM–but with a bigger presence. The idea was simple: Start with the OM outline, enlarge it a bit, play around with the curves, deepen the sides, then add the Bourgeois trademark cutaway. The result is our most versatile guitar; larger than an OM, smaller than a Dreadnought, capable of handling almost any playing style you can imagine, and equally capable of operating in solo or ensemble situations.”

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THE TWELFTH FRET

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