The mahogany body National Reso-Phonic M-1 Tricone retains the lush complex trebles of the National Style 1 but the wood body changes the character of the bass response: in short, the bass is huge!
This instrument has sold
MORE →The mahogany body National Reso-Phonic M-1 Tricone retains the lush complex trebles of the National Style 1 but the wood body changes the character of the bass response: in short, the bass is huge!
This instrument has sold
MORE →This C. Bruno and Son fretless banjo arrived here about 15 years ago and has been in storage ever since. As is often the case with my “projects”, it was forgotten for years. I recently came into a lovely set of Ivoroid friction tuners that reminded me of the Bruno banjo and its need for appropriate tuners. This 130-year-old set of friction pegs were typical of the 1880s or 90s. And since they are synthetic ivory, they are legal under the CITES regulations.
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MORE →A faithful reproduction of the famous Fairbanks Whyte Laydie No.2, the Eastman EBJ-WL1 ‘Whyte Laydie’ open back banjo hearkens back to the early 20th century.
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MORE →Alejandro Cervantes has been building and playing classical guitar for decades now. We’re pleased to see another of his guitars, a 2013 Cervantes Hauser Concert classical guitar, in our shop.
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MORE →The Cervantes Fleta Signature classical guitar is part of the top range of Cervantes production. Based on the designs developed by Ignacio Fleta in the late 1950’s and 1960’s, these guitars feature stiffer tops and more robust construction, and of course specialized bracing patterns. They are characterized by a strong, warm, full tone with a lot of projection and volume available.
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MORE →Designed by James D’Aquisto, The Hagstrom Jimmy was built in Sweden from 1969 to 1979 in two major versions – with an oval soundhole and a single neck-mounted pickup, or with traditional F-holes as seen here. This example of the Hagstrom Jimmy F-hole archtop was built around 1977, in the second variation of that model. In 1976, the bodies became all laminated birch (they had been laminated spruce), with birch for the neck, block inlays and rosewood fingerboard.
This instrument has sold
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