Here we have a rarity – a Gibson ES-335 Dot P90 model, from the now closed Memphis Tennessee plant, a blend of the ES-335 and the single coil P-90 equipped ES-330. This model was produced by the Memphis plant for a short time during 2019 and there’s no sign that it will appear again any time soon.
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Built in Scarborough – the eastern part of Toronto – around 1991, this Lado Supra 1 shows off the quality of Joseph Kovacic’s work in building Superstrat style guitars. Here we’re looking at a Lado Supra 1, a single pickup version of the Supra. It features Lado’s typican neck through design with elegantly sculptured heel. There’s no restriction on access to the upper frets on these.
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The Eastman DM1 Gypsy Jazz Style model demonstrates that acoustic guitars do not only follow the pattern of American designs, particularly Martin and Gibson. Here we’re looking at a brand new Eastman DM1 Gypsy Jazz style guitar, in the ‘Petite Bouche’ or small soundhole style. This is a long scale instrument at 26.38 inches or 670mm, almost an inch longer than a typical Martin, and is a fairly large guitar. Construction features a solid Sitka Spruce top with layered Indian for the back and sides.
For as long as musicians have been travelling, portability has been an issue. The Journey Gloss Black Carbon Travel Guitar combines a number of unique features, some patented, to deliver a professional quality guitar in an easily transported package. It comes with its own carry-on luggage! The Journey Gloss Black Carbon Travel Guitar collapses to carry-on size of 22*14*9 inches!
The new Harmony Rebel solidbody electric marks the return of what was at one time of the world’s largest instrument manufacturers. Harmony dates back to 1892, was purchased by Sears, Roebuck & Co, in 1916 and were based in Chicago, Illinois. From the 1940s until closing in 1975 Harmony built millions of guitars, mandolins, banjos ukuleles and other instruments in the low, mid and professional ranges. These instruments were sold under a host of brand names including Silvertone, Stella, Harmony and Vogue.
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Now discontinued, the Taylor 312 paired the relatively small Grand Concert body design with a shorter 24.875 inch (631.8mm) scale length for a compact, great sounding instrument. This is a fully acoustic model with no pickups. The Taylor 312 pairs a Sitka Spruce top with Sapele for the sides and back, and Mahogany is used for the body blocks and neck. The bridge and unbound fingerboard are Ebony, and the head plate is an Indian Rosewood overlay.
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