The Guild Starfire III Reissue brings back one of the popular, professional grade guitars from the 1960’s that was not built by Fender or Gibson.
This instrument has sold
MORE →The Guild Starfire III Reissue brings back one of the popular, professional grade guitars from the 1960’s that was not built by Fender or Gibson.
This instrument has sold
MORE →Based on the still-produced SJ-200 Western Classic, the Gibson Western Classic Mystic Rosewood was built in a limited edition during 2015 under the guidance of Ren Ferguson. Gibson’s SJ-200, sometimes just called the J-200, is one of the iconic American steel string guitars, one of the largest and often regarded as top of the line. It has been used by countless players from the Everly Brothers and Emmylou Harris to Jimmy Page and Pete Townsend.
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MORE →Drawing from the roots of the single-cone resophonic guitar, the National Style O Steel 14 Fret definitely has a vintage appearance with all the quality of modern Nationals. Sporting a unique ‘Weathered Steel’ finish over a steel body with rolled F-holes and a Maple neck with Ebony fingerboard, the Style O Steel 14 Fret delivers all the tone, volume and projection that National is known for.
The Eastman Romeo SC is a new limited edition thinline and largely hollow archtop electric design by Otto D’Ambrosio at the Eastman Custom Shop in California. Intended as an imagining of what ‘The Telecaster of the Archtop World’ would be, the Romeo started with defining its balance and player’s hand positions. The body is fairly small at 14.75 inches across, and the ‘Single Cut’ design gives plenty of access to the fretboard.
Here we have a Stelling Golden Cross Gospel banjo, built of Black Walnut during 1978 in Afton, Virginia with a raised, rather than inlaid, rear cross. One other Gospel model like this is known to have been built for Ralph Stanley with the serial number 428. The current Golden Cross models do not have the rear cross. The Stelling Golden Cross Gospel is based closely on the stock Golden Cross, with the primary difference being the headstock inlays.
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MORE →The Ibanez Musician MC500 appeared as Ibanez hit its stride and moved away from straight copies of US models, and was built from late 1977 as a 1978 model to 1980. The Musician series used a multi-piece, neck-through design and active electronics, all quite possibly influenced by the Alembic instruments of the day. Overall, the goal was to provide maximum sustain, stability and tonal versatility in a professional grade package.
This instrument has sold
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