We’re featuring the third guitar from the G.W. Barry 30/12 collection. This particular guitar has an interesting history and compelling visual features.
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Built by the late Darryl Williams in Schomberg Ontario during 1975, this classical guitar in the Hauser style has a large amount of detailed hand work.
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It never ceases to amaze me how good steel string acoustics can sound, and I’m reminded every time a guitar like this Collings OM1 deep body custom arrives.
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Here’s an interesting piece of Canadian musical history – an Allstrummr thinline aluminum body cutway electric by Robert Card who had worked for Lado Music.
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The Taylor T3-B is based on the successful and practical T3 model, adding a Bigsby. This one features a Koa top with abalone binding
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Recalling the Martin D-42, the Eastman E40D-SB takes the classic lines and appointments of the most successful dreadnought designs. The SB denotes a sunburst finish. The top is solid Adirondack Spruce, the back and sides are Indian Rosewood, the neck mahogany and the fingerboard and bridge are ebony. Abalone inlays are used throughout the guitar, on the headstock, fingerboard, and around the top and soundhole.
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