The Huss & Dalton TDR is, as the name breaks down, a Traditional Dreadnought design with Rosewood for the sides, back, and head plate. The Dreadnought design first appeared during 1916, built by C F Martin for the Oliver Ditson company. The design was not popular at the time but when Martin re-introduced it in 1931, times had changed. These models went on to great success and are now one of the handful of standard guitar body shapes, built by almost everyone and played by countless guitarists.
Spruce
The Eastman MD605 represents great value in a quality A-Style mandolin, built with solid woods and wrapped in a gloss nitrocellulose lacquer finish. Introduced in 1905 and based on Orville Gibson’s patent merging violin family techniques with guitar and mandolin construction, the A-Style mandolin has a distinctive teardrop shape and a carved top and back, with either F holes or an oval hole; the F hole provides somewhat more top end. Compared to the F style often seen in bluegrass bands, the A Style body shape has more pronounced midrange and fundamental, and a less percussive attack.
Here is a rarity for North America – a Julian Mario Rabaza Crossover guitar dating to 1982 and built at Rabaza’s shop in Buenos Aires, Argentina. Julian Mario Rabaza has been well known South American circles for decades, and mostly builds Spanish style Classical and Flamenco guitars. This example is what we would now call a ‘Crossover’ model, meaning that it has a couple of adaptations for those playing other styles – Tango and Latin Jazz for example.
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MORE →The Eastman E20P SB is the sunburst finish version of a Parlor guitar – close to the ‘Single O’ body size dating to the end of the 19th century. As with many other models from this builder, the Eastman E20P uses all solid wood construction. The top is Adirondack Spruce, while the sides and back are Indian Rosewood. The body blocks and slotted-peghead 14 fret neck are Mahogany, with Ebony used for the pyramid style bridge and unbound fingerboard.
This instrument has sold
MORE →The Collings 01 is based on the small body ‘single 0’ design introduced by C F Martin around 1898, and still a popular model in several trim and material grades. The 01 roughly maps to the 0-18, classed as a ‘Parlor Guitar’. Following a traditional pattern, the Collings 01 is built using a combination of a top grade Sitka Spruce top and braces, Mahogany for the rest of the body and neck, and Ebony for the head plate, fingerboard and bridge.
This instrument has sold
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