When originally introduced in 1912, the Gibson L-4 appeared as a 16 inch wide, oval hole archtop, switching to F-holes in 1935. The cutaway body L-4C appeared in 1949 and by 1956 had displaced the non-cutaway model. In Gibson’s naming convention, the ‘C’ was dropped some years ago.
Spruce
The Hofner Club Bass, also known as the Hofner 500/2 bass, is very similar in design to the iconic 500/1 Beatle Bass, but with a traditional single cutaway ‘Club’ body. Originally built between 1965 and 1970 for Selmer, the Club bass has had a number of prominent appearances on stages; Tina Weymouth of Talking Heads used one for several tours.
A wide range of new Hofner Reissue Violin and Club Basses are in stock at The Twelfth Fret! Seen here are six brand new Hofner reissue 500/1 and 500/2 basses with reliced Varnish and Nitrocellulose Lacquer finishes.
Here we’re looking at a Gibson L-4CES (CES for Cutaway Electric Spanish) in Natural lacquer finish, dating to January 11 1989 and built at Nashville. This example is in overall very good, clean and original condition with light wear to the back finish and very light fret wear. The gold plating on the pickups shows typical wear to the bass edge, but the bridge, tailpiece and tuner plating has very little wear.
Here we’re looking at a Martin 2-17 #25 built during early 1930 in Nazareth, Pennsylvania, showing a 1929 feature – a straight saddle. Not long after this guitar was built, Martin shifted to slanted saddles, giving the bass strings a little more length for intonation purposes. Apparently 449 were built during 1930 with this saddle, and 50 with the slanted saddle.
This spectacular Bourgeois Custom D LSH Large Sound Hole, 2015- is part of a series of instruments offered around the 2015 Summer NAMM show. Dated to June 5, 2015 at Lewiston Maine, this pairs an Adirondack Spruce top with premium Brazilian Rosewood for the sides, back and head plate.