The Martin D-28 is the Dreadnought by which all others are judged. Constructed of solid East Indian rosewood back and sides, Sitka spruce top and mahogany neck, this instrument has been a favorite of artists from Hank Williams Sr. to Jimmy Page.
Rosewood
Introduced in early 1958, the Gibson ES335 was an immediate hit with most players who had been using full bodied archtop guitars, because it addressed very real issues with increasing stage volumes. It was adopted by players in almost every genre, from country to jazz, R&B to rock. Originally equipped with a stop tailpiece and adjustable tune-o-matic or ABR bridge, in 1965 Gibson switched to a traditional simple trapeze tailpiece, and continued to do so until discontinuing the model in 1981. In the meantime, many guitarists removed the trapeze and had stop tailpieces installed on their ES335s.
This instrument has sold
MORE →Introduced in 1954 and offered until the devastating Nashville floods of 2010, the Gibson Mastertone RB 250 was the workhorse banjo for countless serious players. The RB-250 was the entry into the Mastertone line with any of the variations on that flat head tone ring and rim system. Here we have a Gibson Mastertone RB 250 built during 1975, with a Mahogany resonator and neck and walnut-stain finish.
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MORE →The Gibson TG-0 tenor guitar was built during two periods and two forms, but was always a relatively simple Mahogany top 4-string acoustic. The first TG-0 was based on the L-0 from 1927 to 1933, and the second based on the LG-0 from 1960 to 1974. Here we’re looking at a second series Gibson TG-0 dating to 1963 at the Kalamazoo plant, and draws directly from the LG-0 model. These guitars use Mahogany for the top, back sides with Spruce bracing, and Mahogany for the neck but a Rosewood fingerboard.
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MORE →This Hartel Boucher banjo dates to 2008 and is in very good condition. It features a solid Maple neck with the distinctive Boucher headstock, and what look just like Ebony friction pegs but are in fact excellent PegHed geared tuners. The 12 inch pot has six cast brass Boucher style brackets, and an Ebony tailpiece. This is a fretless instrument, so the precise scale length varies with bridge placement.
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MORE →The Hartel Levi Brown fretless 5-string banjo is an high quality reproduction of instruments built around 1858 by Levi Brown who built banjos in Baltimore, Maryland. This excellent instrument features a 13 inch pot with brass hardware and a long – 28 inch! – scale Black Walnut neck. The neck has a slotted peghead and Waverly tuners – an improvement over the original, which would have had wooden friction pegs.
This instrument has sold
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