Here we have a rarity – a Gibson ES-335 Dot P90 model, from the now closed Memphis Tennessee plant, a blend of the ES-335 and the single coil P-90 equipped ES-330. This model was produced by the Memphis plant for a short time during 2019 and there’s no sign that it will appear again any time soon.
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The Eastman DM1 Gypsy Jazz Style model demonstrates that acoustic guitars do not only follow the pattern of American designs, particularly Martin and Gibson. Here we’re looking at a brand new Eastman DM1 Gypsy Jazz style guitar, in the ‘Petite Bouche’ or small soundhole style. This is a long scale instrument at 26.38 inches or 670mm, almost an inch longer than a typical Martin, and is a fairly large guitar. Construction features a solid Sitka Spruce top with layered Indian for the back and sides.
The Hofner Club 40 was built from around 1953 until the early 1960’s, distributed by Selmer in the UK and very popular with skiffle groups and players, including both John Lennon and George Harrison. At this time, Hofner guitars were built in Bubenreuth, Bavaria. Bearing similarities to violin bass construction, the Hofner Club 40 features a sealed, hollow body, with a solid Spruce top and Maple for the sides and flat back. The body is bound with black and a white/black purfling layer.
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The Gibson Gary Moore Les Paul was built from 2000 to 2002 at Nashville, Tennessee and reflects but doesn’t copy Moore’s 1959 Burst originally used by Peter Green in Fleetwood Mac. Taking a regular Les Paul body and neck, the Gibson Gary Moore model does away with body and neck binding, and has a wiring or magnetic configuration that mimics the ‘out of phase’ tone on Peter Green’s Burst. Green felt that the pickup had been physically reversed, but in reality one of the pickup magnets may have been reversed as a manufacturing error.
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The Taylor 814ce DLX is a luxurious Grand Auditorium body shape which pairs a Sitka spruce top, Indian rosewood sides and back with Taylor’s patented V-Class bracing to reach new levels of tonal performance. One of Taylor’s most popular shapes, the Grand Auditorium body is a versatile general-purpose guitar. Its width is similar to a dreadnought but with a much curvier shape which changes the response and dynamics. It is equally well suited to fingerstyle or strumming so you can use it for many different styles.
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The Martin D-18 is the classic, quintessential bluegrass and fingerstyle guitar. It’s got everything needed – balanced tone with deep lows and sparkling highs, clarity and separation, instant response to pick or finger attack, and volume. Today’s Martin D-18 Dreadnought features a sleek, modern low profile for enhanced playability. The D-18 adds a Sitka spruce top to the mahogany back and sides and along with the forward shifted scalloped bracing produces a sound that is warm, punchy and clear. Perfect for the intermediate and advanced player looking for understated looks and timeless tone.
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