The Martin D-45 has been the top of the line in the Martin Guitar Company’s line of regular production instruments since its initial introduction in 1933, and its re-introduction in 1968.
Pennsylvania
For The Twelfth Fret’s 35th anniversary, we ordered a number of custom shop Martin OM-35 guitars, with commemorative labels signed by CF Martin III. The OM-35 itself was in production from 2003 to 2007, superseded by the OM-35E – the same guitar with a stock pickup. This example has a K&K Pure Mini passive pickup set installed.
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MORE →The Martin 000-15SM is based on one of the oldest and for a time largest Martin body shapes, first appearing in 1902. The name breaks down to a 000 body with 15 style trim, the S indicating a 12-fret neck and the M, Mahogany. It also has a slotted peghead, which allows for a steeper string path from the nut without tipping the head back further.
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MORE →Built during 2005, this Martin D-18GE 1934 Golden Era Dreadnought sports an Adirondack Spruce top and a Natural finish. Martin’s Golden Era D-18 models were built during 1995, and then from 2000 to 2016, when they were replaced by the Authentic series. The Golden Era series present the best features of instruments in that era, as distinct from being exact reproductions of specific guitars.
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MORE →Introduced in 1931 but not the first appearance of the Dreadnought, the Martin D-28 quickly rose to become one of the standard, benchmark guitars. From 1931 to 1934, the D-28 had a 12-fret neck, soon changed to 14 frets as banjo players migrated to guitar. Here we’re looking at a Martin D-28 built around July of 1958, with all of the standard features of that time. The top is Sitka Spruce; Adirondack had become unavailable by 1942 as war materiel demands led to overharvesting.
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MORE →Here is another rarity, a Martin 000-40SPR Peter Rowan “Midnight Moonlight” Signature Edition, built during 2001 as number 26 of 87. The Martin 000-40SPR Peter Rowan “Midnight Moonlight” Signature Edition features a Sitka Spruce top, Mahogany back and sides, Mahogany for the body blocks and neck, with Ebony for the pyramid bridge, headstock overlay and bound fingerboard.
This instrument has sold
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