The Martin 0-18 Standard is a wonderful addition to the standard series from Martin guitars. This parlor sized body features a Sitka spruce top and mahogany sides and back. The small body shape is extremely comfortable to sit with and compact lower bout width helps to decrease strumming arm fatigue. The mahogany neck has a shorter 24.9” scale length and low oval profile to add to the comfortable playing experience.
Pennsylvania
The Martin OME Cherry is a recently introduced Martin model, based on the OM body, itself derived in late 1929 from a 14-fret neck 000 model. Built with FSC – “Forest Stewardship Council” certified woods, including Sitka Spruce, Cherry and Mahogany, the OME Cherry also comes stock with a Fishman Matrix VT Enhance NT1 pickup and preamp factory installed.
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MORE →Here we’re looking at a beautiful C F Martin D28V, signed by both C F Martin II and C F Martin III, built during the early part of 1984 at the Martin plant in Nazareth, Pennsylvania. It pairs a Sitka Spruce top with Brazilian Rosewood for the sides, back, and headplate, with Mahogany for the neck, body blocks, linings and back braces. The top has Herringbone purfling, and the back has a center ‘Zipper’ strip.
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MORE →The Martin D12 20 was a slope shouldered, 12-fret 12 string guitar built from 1964 to 1991 with a Sitka Spruce top and Mahogany for the sides, back and neck. Here we’re looking at a Martin D12 20 dating to February of 1968 and built at the Martin plant in Nazareth, Pennsylvania. As a ’20’ model, it is very close to an ’18’ and the key differentiating component is the ‘zipper’ back strip. The top is Sitka Spruce – Adirondack Spruce had been overharvested during WW2 and it would still be decades for recovery. The sides, back, and slotted-headstock neck are Honduran Mahogany and, by the time this post-1967 guitar was built, Indian Rosewood was used for the head plate, bridge and unbound fingerboard.
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MORE →The Martin 0021NY, built from 1961 to 1965, is based on the 00-21 model first introduced by C. F Martin I during 1898 and built until 1996. While it is not heavily decorated and has no fingerboard inlays, it’s not a base model. It features a Sitka Spruce top paired with Brazilian Rosewood for the sides, back, headplate, fingerboard and bridge, with Mahogany for the body blocks and neck.
This instrument has sold
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