The Eastman T59 V is a take on one of the most successful and influential of Ted McCarty’s innovations, the thinline, semi-hollow archtop electric guitar. Around 1957, Gibson was looking to update its product line to address a number of issues, one of which was the rise in amplified stage volumes causing feedback. While the engineering team is credited with most of the design, it was apparently president Ted McCarty’s idea to put a solid Maple block through the center of the guitar.
Ontario
Here we have a real rarity – a Gibson Nick Lucas Special with 12-fret neck built during 1928; this model was built in a variety of forms from 1927 to 1938. During its first two years of production, the Gibson Nick Lucas Special was built with a 12-fret neck, Spruce top and Mahogany for the sides, back and neck.
This instrument has sold
MORE →Here we have a Gibson J185 Original Jumbo bodied steel string in Antique Natural finish, built during 2005 at the Gibson Acoustic plant in Bozeman, Montana. The J-185 is a very good but likely under-appreciated guitar, being overshadowed by the better known and slightly larger J-200. The Gibson J185 and J200 have many similarities and the key differences are not always seen at first glance. Both feature the Jumbo body shape, Sitka Spruce top with Figured Maple for the sides and back, and Rosewood for the fingerboard and bridge.
This instrument has sold
MORE →Here we’re looking at a Gibson S1 built in Nashville TN, with a date of April 19 1978. This guitar is built exclusively of Maple, used for the three-piece body, three-piece neck, and fingerboard. This example is in largely original condition, except for the bridge pickup. Some time ago, the original single coil was removed, put in the case, and replaced with what looks like a Duncan Hot Rails.
This instrument has sold
MORE →The Knaggs Kenai model takes its name from Alaska’s Kenai River and is a single-cut solidbody with a carved Maple top on a Mahogany back. Built in Greensboro, Maryland since 2019 in the shop of Joe Knaggs, the Knaggs Kenai is a guitar that has its own distinct look yet carries influences from Knagg’s 25 years as a designer and luthier at PRS.
This instrument has sold
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