Epiphone Triumph Archtop Guitar Sunburst, 1941
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While it has strong visual similarities to the popular ES-339, the Gibson CS-336 has significant differences in construction. Instead of using separate materials for the top, back and sides, the CS-336 has back and sides carved from a single block of mahogany.
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Taking design cues from the Martin D-42 dreadnought, the Eastman E40D shows the lines and visual features of the most successful guitars in a natural or sunburst top dreadnought. It’s well decorated, but not overly so and makes for a great sounding, tasteful and classy instrument.
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This Gibson L7-C, a non-electric, acoustic cutaway archtop, was built during 1968 at the historic Parsons Street plant in Kalamazoo, Michigan. It features the classic 17 inch wide body with carved Spruce top and flamed Maple for the back,sides and neck, a bound headstock and Rosewood for the fingerboard and bridge. The back is nicely figured though the shaded finish is so dark you can’t see much of it.
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The Greenfield G-1 is a very responsive guitar, quick to react to even the lightest touch and lends itself to many different styles of music. It has a very focused yet open sound with a tight responsive bass, transparent mids and thick, clear, ringing highs. Primarily intended as a fingerstyle guitar, it is also superb for light strumming or acoustic jazz.
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The late Tal Farlow was one of the great, influential American jazz guitarists and his signature Gibson archtop electric attests to his skill and the size of his hands! The Gibson Tal Farlow, unlike most other Gibson archtops, uses a full 25.5 inch scale length neck on a full 17 inch wide body.
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