Built in the Dana Bourgeois shop in Lewiston, Maine, as the first in a limited edition run of fifteen guitars, this Bourgeois Piccolo Parlor Guitar, is a modern example of the style. It uses top quality materials, is built and finished extremely well, as standard for all Bourgeois instruments.
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This is one of the older pieces in our shop at the moment – a fully functional Romantic guitar by Stephan Thumhart, built in Munich and dated to 1820. It features a modern 25.5 inch scale length, spruce top, and figured maple back and sides. The neck of this Stephan Thumhart Romantic Guitar is maple with ebony for the fingerboard and pin bridge. It has had many repairs over its nearly two hundred year history, but works well.
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This new Hofner Club Bass offers a couple of special features. The top and back are nicely flamed, and the bass is finished in an amber shaded varnish. The pickups are placed in ‘Cavern Spacing’, meaning the neck and middle positions are used. While this seems counter intuitive, it’s done because in the bridge position, signal can be fairly weak, and those pickups are often not used. The middle position gets a much stronger signal from the strings.
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Here’s something rare – a Feiten Blues Pro in gloss red, from Buzz Feiten, player extrordinaire and creator of the Buzz Feiten tuning system. Built in 2015, this model is a very hot blues guitar.
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We’ve received a brand-new National Reso-Phonic Pioneer RP1 semi-hollow electric in a fabulous Chipped Ivory finish! These are great guitars with unmistakable tone and the solid build quality expected from a National Reso-Phonic guitar. The neck is maple with ebony fingerboard, and the body is semi-hollow finished steel. The Lollar P-90 in the neck position provides a warm, fat tone and the piezo element in the bridge accurately reproduces the resonator tone. Active circuity rounds it out.
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The National RM1 Walnut is built in San Luis Opisbo California and features a teardrop, almost ‘A Style’ body shape, but with a single 9.5 inch resonator cone. The RM1 Walnut pairs a figured Maple top with Black Walnut for the sides and carved back; the neck is figured Maple with a bound Ebony fingerboard. Because it’s a reso-phonic instrument, the bridge is built into the center of the resonator cone.
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