This Gibson Tal Farlow is a rare model. Named after the renowned jazz guitarist Tal Farlow, who played Gibson guitars throughout the ’50s where this model was designed to meet Farlow’s demands for a guitar that combined superb playability with a rich, resonant tone.
Maple
This Fender 67 Tele Closet Classic sports a period correct Rosewood fingerboard and was built during April 2005 in Corona, California. Built to original 1967 specs pairing an Ash body with an Indian Rosewood Maple neck, this guitar also includes all original style hardware – the Schaller made F-stamped tuners, Ashtray style bridge and custom shop pickups.
Here we have a Hofner 500/1 ’62 Reissue Violin Bass sometimes named the ‘Mersey bass’. It’s very close in design to the 1963 version used by Paul McCartney on more than a few successful recordings and appearances. This bass was built at the Hofner plant in Baiersdorf / Hagenau Germany during 2012 and is in good condition, all original except for a missing pickguard.
This instrument has sold
MORE →The Hammertone Deluxe Mandotar is a very interesting instrument. Built in George Furlanetto’s FBass workshop in Hamilton, Ontario and drawing from the 1964 – 1968 Vox Mando Guitar or Octave 12, these are like a solidbody electric 12 string with a capo at the octave fret. The size and layout is much like a mandolin.
This instrument has sold
MORE →Built from 1996 to 2009, the PRS Swamp Ash Special featured a solid Swamp Ash body with the trademark PRS contouring, a 22-fret bolt on neck and a center single coil pickup. Based on a built up, carved top block of Swamp Ash paired with a bolt on Maple neck, the PRS Swamp Ash Special is a straightforward model. A pair of humbuckers bracket a Seymour Duncan Vintage Rail single coil format pickup, with a pickup selector, master volume and push/pull master tone control providing coil tap options
This instrument has sold
MORE →Following its original form as an A.C Fairbanks product, the Fairbanks Vega Whyte Laydie featured a natural finish on the maple neck and pot which provided its name. However, the real innovation was the Whyte Ladyie tone ring and bracket band, reducing the number of holes drilled and adding mass to the pot.