The Eastman E8OM features all solid wood construction and a gloss nitrocellulose lacquer finish. The top, with Herringbone purfling, is Sitka Spruce, the sides, back and headplate Indian Rosewood. The body blocks and dovetail-joint neck are Mahogany, with Ebony for the fingerboard and bridge. Unusually, the fingerboard also appears to have a light coat of clear lacquer. The inlays are subtle, small snowflakes in Abalone. The example seen here is strictly acoustic, but it is available with an L R Baggs pickup system.
Mahogany
Here is a rarity, a Neil Hebert classical guitar built in Montreal during 1986, with Cedar top and Brazilian Rosewood for the back, sides and headplate. Neil Hebert retired some years ago, and was a highly respected builder while active. Unfortunately there isn’t a lot of information available about him, though he does get a mention in the Canadian Encyclopedia under ‘Guitar’.
This instrument has sold
MORE →The Dobro Dobrolektric was built from 1996 to 2005, and blends two concepts- the resophonic created by National in the late 1920’s with the modern thinline electric.
This instrument has sold
MORE →The Martin OME Cherry is a recently introduced Martin model, based on the OM body, itself derived in late 1929 from a 14-fret neck 000 model. Built with FSC – “Forest Stewardship Council” certified woods, including Sitka Spruce, Cherry and Mahogany, the OME Cherry also comes stock with a Fishman Matrix VT Enhance NT1 pickup and preamp factory installed.
This instrument has sold
MORE →The Gibson Custom CS356 was the top level version of the Gibson Custom CS336, and was built from 2002 to 2008. Like the CS-336, it was based on a carved Solid Figured Maple top on a chambered single-piece block of Mahogany, routed out to provide the sides, back, center block and tone chambers. Based on its 5-digit serial number with an 8 as its first digit, this example dates to 2008 and as such would be one of the last built. It has very little wear, and is in great condition with only a few minor bumps.
This instrument has sold
MORE →Here is a fantastic rarity, a Thompson & Odell Luscomb banjo in mostly original condition and built during the 1890s in Boston, Massachusetts. This specific instrument was part of the Akira Tsumura collection, and appears in Tsumura’s 1994 book ‘1001 Banjos’. This banjo has a story! J F Luscomb was a well known banjo soloist and composer in the 1880s and 1890s, and was granted a number of banjo-related patents that are used on this banjo.
This instrument has sold
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