The Taylor 914ce resides in the higher end of Taylor’s Spruce and Rosewood models. Using the Grand Auditorium design with both a cutaway and an ebony Laskin Armrest and lots of shell trim, the Taylor 914ce is a spectacular guitar – in tone, playability, comfort and appearance.
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The Deering Boston Open Back 6 String Banjo is built specifically for The Twelfth Fret. Many guitar players find that they want to incorporate banjo tones, but don’t want to learn a new instrument. The stock Deering Boston Open Back 6 addresses this need, but we find that the tone is too harsh. So, we’ve had Deering mate the standard Boston 6 neck with a Vega Little Wonder wooden tone ring pot. This offers the warmest and fattest tone possible for a six string banjo, and brings the weight down to about 7 pounds.
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The mahogany body National Reso-Phonic M-1 Tricone retains the lush complex trebles of the National Style 1 but the wood body changes the character of the bass response: in short, the bass is huge!
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This C. Bruno and Son fretless banjo arrived here about 15 years ago and has been in storage ever since. As is often the case with my “projects”, it was forgotten for years. I recently came into a lovely set of Ivoroid friction tuners that reminded me of the Bruno banjo and its need for appropriate tuners. This 130-year-old set of friction pegs were typical of the 1880s or 90s. And since they are synthetic ivory, they are legal under the CITES regulations.
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The new Martin CEO-7 steel string guitar is based on guitars from the late 1920s and early 1930s, often called the ‘Golden Era’. These instruments are smaller, 00 size, with shorter scale lengths.
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The Collings MT2 Mandolin is nearly the top of the heap for A-Style mandolins. Featuring a carved Red Spruce top and premium grade maple for the sides, carved back, sides and neck with ebony for the fingerboard, headplate and bridge, and rounded off with faux tortoise binding, the Collings MT2 mandolin is an extremely attractive, exceptionally good sounding, and great playing instrument.
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