Gibson has designed a lot of guitars over the years, and the Limited Edition Guitar of the Month for April 2008, the Les Paul LP-295 combines two distinct designs – the classic Les Paul and the ES-295.
This instrument has sold
MORE →Gibson has designed a lot of guitars over the years, and the Limited Edition Guitar of the Month for April 2008, the Les Paul LP-295 combines two distinct designs – the classic Les Paul and the ES-295.
This instrument has sold
MORE →This Gibson Style U Harp Guitar, dating to 1914 and built at the Gibson plant in Kalamazoo, Michigan is not entirely original. The bridge and tailpiece have been replaced though with original style parts. The binding on the fingerboard has been replaced. This fine instrument is fully playable and in overall good condition, with an small amount of finish scuffing considering that it is over a century old. A gig bag is included.
This instrument has sold
MORE →The Gibson Les Paul Standard Cherryburst, named as the Standard, didn’t appear until 1959 but in its sunburst form dates to 1958 and the move away from the Goldtop finish. The ‘Standard’ engraved truss rod cover came into use during 1976, At first appearance in 1952, the Les Paul model bore the familiar gold-top, and in 1954 the Les Paul Custom appeared in black, along with the Les Paul Junior. In 1955 the Les Paul Special was launched, without the carved Maple cap. Finishes included the ‘TV’ tint, intended to make the guitar better visible on black and white televisions.
This instrument has sold
MORE →This is a new Beard R Model squareneck resophonic custom built for us, an Export model in flame maple and with the Jerry Douglas pickup factory installed. The Beard R Model custom is based on the classic resophonic guitars of the 1930’s. It uses an open soundwell design on a tighter-waisted body (compared to the dreadnought-based Beard E model) and the flame maple version features outstanding wood sets. The R Models feature Paul Beard’s triple spun Legend cone and an Original #14 spider.
This instrument has sold
MORE →The Collings 360 LTM takes the general idea of a Jazzmaster, but builds it with a single-cutaway Ash body, highly figured maple set neck and custom Lollar P90 pickups. The scale length is between the Jazzmaster and Jaguar at 24.875 inches, and the hardware includes a custom Collings vibrato tailpiece based on the original design plus a Mastery bridge. Tuners are Collings branded Gotoh models with creme buttons.
This instrument has sold
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