The Gibson SG Tribute is part of the Gibson Modern line and is an excellent workhorse guitar with simple and classic aesthetics. This guitar features the classic sg rounded and thin double cutaway body shape made of mahogany. This particular version of the Gibson SG Tribute comes in a satin walnut stain for a very earthy and natural look. The neck is maple with rosewood fretboard and fuller rounded profile and a 12” radius. The satin finish on the back of the neck and the 22 medium jumbo frets provide a smooth and easy playing feel. The double cutaway body design provides easy access all the way up to the last fret.
Made In USA
The Martin D12 20 was a slope shouldered, 12-fret 12 string guitar built from 1964 to 1991 with a Sitka Spruce top and Mahogany for the sides, back and neck. Here we’re looking at a Martin D12 20 dating to February of 1968 and built at the Martin plant in Nazareth, Pennsylvania. As a ’20’ model, it is very close to an ’18’ and the key differentiating component is the ‘zipper’ back strip. The top is Sitka Spruce – Adirondack Spruce had been overharvested during WW2 and it would still be decades for recovery. The sides, back, and slotted-headstock neck are Honduran Mahogany and, by the time this post-1967 guitar was built, Indian Rosewood was used for the head plate, bridge and unbound fingerboard.
This instrument has sold
MORE →Here is a rarity – a Gibson EB 0L long scale bass from 1972, reaching just past the Fender Bass scale length to 34.134 inches. This model was built from 1970 to 1977 to a quantity of 1,153, according to the shipping totals page at Fly Guitars, a site dedicated to Gibson basses. The Gibson EB 0L has straightforward construction, pairing a Mahogany body to a three-piece Maple neck with an unbound Indian Rosewood fingerboard.
This instrument has sold
MORE →Here we have a Gibson ES175 sunburst, built during 1960 in Kalamazoo, Michigan and sporting a refinish and a pair of gold Guild humbuckers. The Gibson ES175 sunburst – its primary finish, though it was also available in natural at extra cost – was introduced in 1949 and produced until 2017. At that point, Gibson was restructuring and terminated several models and the Memphis plant. It is based on a number of previous Gibson arched top electric models, with Maple Laminates used for the body to reduce feedback.
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MORE →The Gibson Les Paul Tribute is a guitar that both respects its lineage and uses some modern design elements to produce a cool vibe and playing experience. This particular guitar features a Cherry Sunburst with satin nitrocellulose finish. The satin finish looks great and will help to not show finger print smudges from playing. Another great feature on the Gibson Les Paul Tribute is the Ultra modern weight relief. This process retains a solid core of mahogany under the maple cap while chambering around the perimeter. The provided weight relief is substantial and really lightens the load on your shoulder when playing for longer periods of time. Unlike a full chambered design the solid core limits the effect on the overall tone.
This instrument has sold
MORE →Part of the Recording Series, the Larrivee OM 03R draws from the classic Orchestra Model design introduced in the early 1930s to aid the great shift to guitar by banjo players. The Larrivee OM 03R is built using traditional materials including a Sitka Spruce top with Herringbone purfling and rosette, Indian Rosewood for the back sides and head plate, Mahogany for the body blocks and neck, with Ebony for the bridge and bound fingerboard. The body binding is Maple while, in this period, the fingerboard binding is grained ivoroid. The finish is natural satin.
This instrument has sold
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