The Huss & Dalton TDR is, as the name breaks down, a Traditional Dreadnought design with Rosewood for the sides, back, and head plate. This Huss & Dalton NOS TDR Custom is a New Old Stock model but still covered as new! Built in Staunton, Virginia, the Huss & Dalton TDR evokes the best of the traditional Dreadnought design. Extremely well built and finished, the TDR seen here – a Custom version – uses a Thermo-cured Adirondack Spruce top, paired with Indian Rosewood for the sides and back.
Made In USA
Here we have a Nash T63 in a ‘Relic Olympic White’ treatment which was built during 2018 in the USA by Bill Nash and team. Drawing from the original 1963 production T guitars, this Nash T63 features a lightweight Ash body, paired with a ‘Slab’ style Rosewood fingerboard on a C-profile Maple neck.
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MORE →Here’s a real beauty – a Collings I35DLXS Thinline Custom with a carved, solid Flame Maple top and single Lollar Imperial pickup in the neck position. This wonderful example was originally custom ordered through The Twelfth Fret during 2008, and has been used professionally. An interesting note about its use and condition is that it’s really only been used in a seated position. Collings supplied a pair of strap pins, which are in the Ameritage case, but as part of the custom order did not drill holes for them or install them.
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MORE →Part of their Traditional Series, the Collings OM2HT replicates highly sought-after pre-war (WWII) Orchestra Model guitars by way of careful wood selection bracing patterns and appointments. This is one of the best expressions of the OM design available at any price. The Collings OM2HT is sold with its original Collings branded, arched top hard shell case.
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MORE →The Huss & Dalton Crossroads 14 takes cues from the small body flat-top guitars used by many blues players from the 1920s to 1940s, but with more body depth to enhance bass response. This model is also available in a 12-fret version. The 14-fret version is really called the ‘Crossroads’, with the 12-fret being the ‘Crossroads 12’, but it’s easy to confuse the two.
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MORE →Here we’re looking at a 1958 Fender Stratocaster in the then-new three-tone Sunburst finish, with neck and body dates of 12/58, indicating construction in December of 1958 or the beginning of 1959. In addition to the ‘new’ sunburst with the red band, the Maple neck became thinner with much less of a ‘V’ profile. From mid 1956, Fender started using Alder on sunburst-finished Stratocasters, rather than Ash. The neck remained the same, built of a single piece of Maple with a Walnut ‘Skunk Stripe’ covering the rear-mounted truss rod channel.
This instrument has sold
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