Built from 1991 to 2003 in Memphis, the Gibson ES-135 P100 was a single Florentine cutaway, semi-hollow thinline with a pair of P100 hum-cancelling pickups. From 1956 to 1958, the ES-135 existed as a renamed ES-130, a full-depth, single-cutaway archtop with one or two P-90 pickups. The ES-130 was introduced in 1954, renamed in 1956 to the ES-135, and discontinued in 1958.
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The Gibson J-50 ADJ Slope Shoulder Dreadnought models were produced in tandem with the better known J-45, with the difference being the J-50’s natural vs the J-45’s sunburst top. This sometimes meant that the J-50’s used visually higher grades of Spruce, but the two guitars are otherwise identical.
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MORE →Built at the Gibson Kalamazoo plant, the natural-finish Epiphone FT45N Cortez was produced from 1962 to 1969, but it first appeared with a sunburst in 1958. The Epiphone FT45N Cortez was very similar to some Gibson models, particularly the LG-2 (sunburst top) and LG-3 (natural top), which in 1962 became the sunburst B25, and in 1963 the natural B25N. They were built in the same plant and likely on identical forms.
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MORE →The Gibson ES-135H was the ‘Humbucker’ equipped version of the ES-135, a single-cut Semi-Hollow Archtop built in Memphis from 1991 to 2004. Many of these models used P-100 pickups – a stacked humbucker with the outline of a P-90. Some models used a Trapeze tailpiece, others as seen here a standard Tune-O-Matic and Stop Tailpiece combination.
Built from 1991 to 2003 in Memphis, the Gibson ES-135 P100 was a single florentine cutaway, semi-hollow thinline with a pair of P100 hum-cancelling pickups. From 1956 to 1958, the ES-135 existed as a renamed ES-130, a full-depth, single-cutaway archtop with one or two P-90 pickups. The ES-130 was introduced in 1954, renamed in 1956 to the ES-135, and discontinued in 1958.
This instrument has sold
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