From the days when giant archtops ruled the earth, the Epiphone Emperor was one of the largest at 18.5 inches across.
This instrument has sold
MORE →From the days when giant archtops ruled the earth, the Epiphone Emperor was one of the largest at 18.5 inches across.
This instrument has sold
MORE →The Bourgeois Slope D Adirondack aims to deliver the sound and feel of pre-WW2 round-shoulder dreadnoughts, an near ideal instrument for flat-picking styles. Dating to 2007 and built in Lewiston, Maine, this Bourgeois Slope D Adirondack dreadnought is in very good condition with just light wear.
This instrument has sold
MORE →This Larrivee L10 12 String guitar with a Dragon headstock inlay was built in Victoria, British Columbia, and dates to the very early 1980’s. Based on their standard ‘L’ body, which is itself based on classical guitar body proportions, this lovely guitar is built using Sitka Spruce for the top Abalone for the top purfling and rosette, Indian Rosewood for the sides, back and head plate, Mahogany for the body blocks and neck and Ebony for the bridge and bound fingerboard.
This instrument has sold
MORE →The Gibson Les Paul Standard from 2011 is a bit different from a number of other years, based on a chambered Mahogany body. At 8 pounds, this is one of the lightest Les Paul Standards around – and it looks great. Dating to March 09, 2011 and built in Nashville, this Gibson Les Paul Standard with Honey Burst finish looks a lot like a lovely early Burst with a nicely but not wildly flamed bookmatched Maple top.
This instrument has sold
MORE →Here from 2016 is a Waterloo WL-14 LTR, a ladder braced small body guitar, built by Collings as part of the ‘Retro’ Waterloo line, honoring the influential guitars of the 1930s and 1940s. The construction and finishes tend to be very light and thin. The Waterloo WL-14 is available with either Ladder or X braced tops.
This instrument has sold
MORE →Here we are looking at the Thomas Malapanis Classical numbered 26, and dated to 2004. The top is Red Cedar, while the sides, back, headplate and bridge are Cocobolo. The sides are lined with a Cypress or Sycamore facing, not the same as ‘laminate’ woods, a technique pioneered by Jose Ramirez III to help increase clarity, and still used on some higher end Ramirez models.
This instrument has sold
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