Beard guitars are normally squareneck, so this is an unusual instrument. This roundneck model is Paul’s newest creation, and it’s got the loudest, fullest bass response from a spider resonator we’ve seen. The custom resonator and oval soundhole really make this a distinctive guitar!
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Every year, I go to the MIAC trade show here in Toronto, and every year I find something special. This year the Gibson Le Grande is it!
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Here’s an Eastman E10P Mahogany parlor guitar! This great little guitar has adirondack spruce top with scalloped braces, mahogany back and sides, ebony fingerboard and bridge, bone nut and saddle.
This really is the most versatile guitar in the extensive Bourgeois line. In Dana’s words; “JOM stands for JUMBO OM. The JOMC is an original body style developed in the late 80’s, in response to players’ requests for a mid-sized guitar having the balance and clarity of an OM–but with a bigger presence. The idea was simple: Start with the OM outline, enlarge it a bit, play around with the curves, deepen the sides, then add the Bourgeois trademark cutaway. The result is our most versatile guitar; larger than an OM, smaller than a Dreadnought, capable of handling almost any playing style you can imagine, and equally capable of operating in solo or ensemble situations.”
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As Dana says, ” The BK Slope D known as the Banjo Killer has a deep, broad tone. Through wood selection and voicing, we push it in the direction of a bigger bottom end, a lush top end, and greater volume, similar to the characteristics of Bryan Sutton’s original Banjo Killer. When I first started making slope shouldered Dreadnoughts, I went for something as different as possible from the balanced and focused sound of my standard Dreadnought. The Banjo Killer gets me back to that original idea.”
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Based on Paul McCartney’s 1962 Violin Bass, the Hofner 500/1 62 Reissue bass has delighted Hofner aficionados by replicating details of the original.
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