The Fender Bass VI first appeared in 1961 and managed to stay in the catalog till 1975. In 1994 and 1995, Fender Japan built a number of reissue models, including this very nice sunburst example.
This instrument has sold
MORE →The Fender Bass VI first appeared in 1961 and managed to stay in the catalog till 1975. In 1994 and 1995, Fender Japan built a number of reissue models, including this very nice sunburst example.
This instrument has sold
MORE →Once there were thousands of guitars like this Harmony Rocket, found in many homes across North America. The Harmony company of Chicago was for a time the largest musical instrument maker in the USA.
This instrument has sold
MORE →We’ve just received a number of new 2018 models from Gibson, and this absolute gem was in the package – a Gibson Les Paul Standard in Cobalt Burst, a dynamite blue finish.
This instrument has sold
MORE →The Ramirez 2NE CWE Cutaway model with Red Cedar top, along with its variant the Spruce top 3NE have been discontinued but were developed for the advanced student from Jose Ramirez III designs and were available with cutaway and electronics. A custom order RMC MIDI pickup system based on a six-element bridge pickup was another option, allowing the player to trigger any kind of MIDI controlled equipment.
This instrument has sold
MORE →This new, older stock 2013 model Gibson Les Paul Studio in Arctic White. This is a remarkable instrument, using the classic Les Paul design but stripped down in terms of decoration. It is very resonant with lots of sustain, but is light and well balanced. And, because it’s a Studio model, it’s considerably less expensive than a Les Paul Standard, Classic, Traditional or Custom, though it is made in the USA, in the same Gibson Nashville, Tennessee facility.
For added tonal versatility, the two volume control pots are push-pull models, wired to activate a tap on the Gibson USA Modern Classic pickups – a 490R in the neck position and a 498T at the bridge.
This instrument has sold
MORE →The Ernie Ball Music Man Silhouette was the first production Music Man design for Ernie Ball in 1986 and has proved itself versatile, popular and reliable.
Using an contoured, bevelled Alder body paired with a 5-bolt 24-fret Maple neck with either Maple or Rosewood fingerboard, the Music Man Silhouette carries a pair of DiMarzio PAF humbucking pickups with a singe coil DiMarzio in the center position. Locking Schaller tuners, a compensated nut and Ernie Ball Music Man Vintage style trem bridge (hard tail is optional) round out the hardware.
This instrument has sold
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