The Alhambra 7fc Flamenco guitar is our mid-level Alhambra Flamenco instrument. Built in the traditional manner with a solid German Spruce top and solid Cypress back and sides, mahogany neck and ebony fingerboard and bridge, the Alhambra 7fc has the bright tone and low action characteristic of flamenco guitars. Golpeadors, or tap plates, are installed as stock. This is a full scale instrument, with a 650m or 25.6 inch scale length and 52mm or 2.04 inch nut width.
Guitar
The “Del Tiempo” Guitar celebrates 135 years of the historic “Casa Ramírez” established by José Ramírez I – in 1882; currently enjoying its fifth generation of Ramirez family ownership. Designed by Maestro-Luthier Amalia Ramírez, the Del Tiempo is a continuation of the esteemed 130 Años model. Typical of all Ramirez guitars, the classic “Spanish sound” is immediately apparent; full bass response, plenty of volume and warm, sensitive trebles with good balance through the entire range.
The Rickenbacker 4003 Bass is one of the most distinctive instruments. For some people, it evokes Chris Squire, for others McCartney, and for others…. Lemmy. Designed in the mid 1950’s by Roger Rossmeisl as a counterpoint to the highly successful Fender bass, the 4003 uses a ‘Cresting Wave’ body shape.
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MORE →The Taylor 856ce is based on the Grand Symphony body design delivering a full, rich voice with plenty of presence, and supporting the full range of raw sound that comes from a big 12-string guitar.
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MORE →For most of the time since its 1954 introduction, the Fender Stratocaster has been very popular and has been available in a myriad of colours, though natural has not always been one of them. The first versions were often sunburst or translucent white, but automotive based colour schemes followed quickly.
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MORE →The Larrivee L-09, based on the classically influenced L-body series, features a Sitka Spruce top paired with Indian Rosewood back and sides. The L series first appeared in the 1980’s and the balanced body shows the clear influence of classical builders, like Edgar Monch, that Larrivee was exposed to during his early days in Toronto.
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