We’ve just received a brand-new Gibson SJ-200 Studio Walnut, a slightly slimmer version of the classic SJ-200.
This instrument has sold
MORE →We’ve just received a brand-new Gibson SJ-200 Studio Walnut, a slightly slimmer version of the classic SJ-200.
This instrument has sold
MORE →The Gibson RB-250 Mastertone was the working-musician’s banjo for decades and offers that classic Gibson sound with the “Snap” to the treble attack that only Gibsons have. This is essentially the same banjo as the famous Gibson RB-3 without the Wreath inlay, Gibson built a few RB-250 banjos every years from 1949 until 2010, when a devastating flood in Nashville destroyed Gibson’s Banjo and Mandolin facilities.
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MORE →In 1952, the Gibson Les Paul Model made its first appearance as a single cutaway, solid body guitar with the now-standard combination of a carved Maple cap on a Mahogany body, with a Mahogany neck and Rosewood fingerboard. The available finish was a metallic gold top with clear lacquer over the rest of the guitar. The earliest models had an un-bound fingerboard, but this quickly changed to a bound fingerboard. At the time, ‘Rosewood’ came from Brazil.
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MORE →The Gibson Super 400 strode above most others when giant archtops roamed the earth, and is still one of the largest production guitars made. Making its introduction in 1934 as the ‘Super L-5 Deluxe’, the non-cutaway model was quickly joined by a cutaway model, initially named the Super 400 P for ‘Premiere’. The ‘400’ designation was originally a reference to the price.
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MORE →A wonderful rarity – a Gibson Les Paul Triumph Bass in natural finish! Introduced in 1971, the Triumph bass followed closely the Les Paul Bass, introduced in 1969. The construction of the Gibson Les Paul Triumph bass is perhaps closest to the original Les Paul Custom, in that aside from the fingerboard, it’s entirely Mahogany including the carved top. No Maple cap! However, that’s where the similarities end, as the Les Paul and Triumph basses have low-impedance pickups and extra controls.
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MORE →The Gibson Les Paul Junior was introduced in 1954 as a single cutaway slab bodied design, essentially a Les Paul without the carved Maple (or Mahogany, in the case of the Custom) cap. Intended as an entry level model, it carried a single P-90 pickup and very little decoration.
This instrument has sold
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