The Gibson ES-175 was immediately popular with jazz players. The body is constructed as a single florentine (sharp) cutaway, using maple laminates for feedback rejection. This was becoming increasingly important as audience sizes increased, requiring higher stage volumes that are seriously problematic for hollow body instruments. These work so well that eventually, an ES-175 built not long after this one wound up on some of the world’s largest rock stages in the hands of ‘Yes’ guitarist Steve Howe.
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