This Lado Solo 2 Bass was built during 1979 in Scarborough, the eastern edge of Toronto, and shows many influences of the era. It is in overall very good, clean and original condition.
This instrument has sold
MORE →This Lado Solo 2 Bass was built during 1979 in Scarborough, the eastern edge of Toronto, and shows many influences of the era. It is in overall very good, clean and original condition.
This instrument has sold
MORE →The late, great Chet Atkins was long associated with Gretsch guitars with many classic models bearing his name. However, after Gretsch ceased production as its parent Baldwin approached bankruptcy, Gibson sought his endorsement and a number of Gibson Chet Atkins models appeared. This included the Gibson Chet Atkins Tennessean, built from 1990 to 2005 in Nashville.
This instrument has sold
MORE →This beautiful 1935 Gibson Super 400 Sunburst with McCarty Pickguard guitar has a history – it is one of the guitars that the late Ed Bickert used before settling on his Telecaster. This example dates to 1935 and was built at the historic Parsons Street plant in Kalamazoo, Michigan. 88 years old at time of writing, it is in overall good and completely playable condition.
This instrument has sold
MORE →The Relish Shady A Mary is an innovative guitar built in Lucerne, Switzerland mostly using non-traditional materials. The body is formed around an aluminum frame that’s also built for a patented pickup swapping system, and the top and back attach to the frame with magnets.
This instrument has sold
MORE →This is a very nice condition early Gibson ES-137 Classic model dating to March 22, 2002 at Memphis Tennessee; this model was built from 2002 to 2015. The Gibson ES-137 was launched in 2002 and combines the looks of the ES-175 and the performance practicalities of the ES-335 lineup.
This instrument has sold
MORE →Dating to April 23 2009, this Gibson Memphis ES-335 Custom features beautifully flamed Maple and a factory installed Bigsby B7. I think this is one of the best looking 335’s I’ve seen for some time, and the dual-roller Bigsby is far enough back from the bridge to provide a relatively shallow break angle. This shallow angle really improves the smoothness of both arm movement and return to pitch.
This instrument has sold
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