Ramirez 1a flamenco guitars are built in the traditional Spanish style at the ‘home’ workshop. The guitar centers on a ‘slipper foot’ neck to body joint, with the sides fitting into slots cut into the heel block. The body pairs a Spruce top with Cypress back and sides – a very light wood in terms of weight and colouring, also providing a lot of brightness to the tone.
Concepcion Jeronima No. 2
The Ramirez 1a or Tradicional, seen here with a Spruce top, has for been a benchmark of top quality classical and flamenco guitars for over half a century. The 1a designation technically refers to the quality of the materials and workmanship, but has become associated with the Tradicional model.
This instrument has sold
MORE →The Ramirez Model 1a Tradicional, seen here with a Red Cedar top, has been a benchmark of top quality classical and flamenco guitars for over half a century. The 1a designation technically refers to the quality of the materials and workmanship, but has become associated with the Tradicional model.
This instrument has sold
MORE →Here we have a Ramirez 1a Concert Classical Long Scale guitar built during 1980, during the ‘golden era’ of Jose Ramirez III’s leadership of the Ramirez workshop at Concepcion Jeronima No. 2 in Madrid, Spain. This well-used instrument features a long scale of 665mm or 26.18 inches, intended to provide increased volume and projection for the professional concert performer.
This instrument has sold
MORE →Here’s a Ramirez Model 4E built during 2001 with the Ramirez shop at General Margallo No. 10 in Madrid, around the block from the Tetuan subway station. A full size guitar at 650mm scale and 52mm nut width, the 4E features a Red Cedar top, Indian Rosewood for the sides, back headplate and bridge, Ebony for the fingerboard, and Spanish Cedar (Cedro) for the neck and body blocks.
This instrument has sold
MORE →Here we have a Ramirez 1a Long Scale classical guitar built during 1967, during the ‘golden era’ of Jose Ramirez III’s leadership of the Ramirez workshop at Concepcion Jeronima No. 2 in Madrid, Spain. This well-used instrument features a long scale of 664mm or 26.14 inches, intended to provide increased volume and projection for the professional concert performer. With Jose Ramirez III leading the workshop, this Ramirez 1a Long Scale has the initials CLL on the slipper foot. Its construction defines the tradition that countless other builders follow, with the slipper foot join integrating the sides and neck for maximum resonance and response.
This instrument has sold
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