While the source of the name given to this Collings 290 may seem obvious as it’s got two P90 pickups, it’s really a reference to the road outside the Collings shop. Drawing from a few traditional solidbody models, the 290 was launched in 2006 at the NAMM show, and has been in production since. Built during 2018 in Austin Texas, this Pelham Blue Collings 290 has some differences from current production.
Collings
While the source of the name given to this Collings 290 may seem obvious as it’s got two P90 pickups, it’s really a reference to the road outside the Collings shop. Drawing from a few traditional solidbody models, the 290 was launched in 2006 at the NAMM show, and has been in production since. Built during 2018 in Austin Texas, this Pelham Blue Collings 290 has some differences from current production.
Combining classic D body construction and ’42’ style trim, this 2007 Collings D-42A dreadnought pairs Adirondack Spruce with Indian Rosewood. This sonic cannon delivers much more than good looks and top quality construction. Now out of production, the Collings D-42A sat at the top of Collings’ ‘Traditional’ line.
The Collings 0002H is a 12-fret neck model combining the larger 000 size Sitka Spruce and Indian Rosewood body with a fairly long 25.5 inch (647.7mm) scale length. Here we’re looking at a well preserved Collings 0002H, built during October of 1999 at the Collings shop in Austin, Texas.
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MORE →The Collings MF is a visually simplified yet extremely high quality instrument, based on the classic F style carved top and back mandolins from the early years of the Twentieth Century. Building in Austin, Texas, Collings produces very well built guitars and mandolins, and their nitrocellulose lacquer finish quality is second to none.
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MORE →The Collings MT A-Style mandolin is the entry point for Collings mandolins, and its lack of decoration doesn’t hide the quality of the instrument or the care with which it was built. This 2006 model sports a satin finish with the ‘Gloss Top’ option, and an ebony arm-rest. The A-Style mandolin appeared in the closing days of the 19th century as part of Orville Gibson’s revolutionary introduction of violin making principles to mandolin construction.
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