Ramirez 2NE and 3NE classical guitars are based on the of the 1990s model E series guitars, developed from designs conceived by Jose Ramirez III.
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MORE →Ramirez 2NE and 3NE classical guitars are based on the of the 1990s model E series guitars, developed from designs conceived by Jose Ramirez III.
This instrument has sold
MORE →The Bourgeois Slope D is based on the large dreadnought body size, but with rounded or ‘Sloped’ upper bouts. The shape is similar to the original “Extra Large” dreadnought guitars made by C F Martin for the Ditson company from 1916 to 1930. Gibson also used the slope-shoulder form on many of their instruments, including the iconic J-45. However, during the 1960’s many of those models shifted to square shoulders to reflect market demand.
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MORE →The Gold Tone OB-250 has everything needed to produce THAT tone: a sand-cast bell brass flathead tone ring, a cast one-piece resonator flange circling a multi-ply maple rim with twin coordinator rods and an extra-deep curly maple multi-ply resonator for better low-end response. The curly maple neck has a bound ebony fretboard with hearts & flowers inlay. The bracket hooks even have metric threading to enable finer tension adjustment. “
The Gibson Keb Mo model uses the L-body, with a 12-fret neck design that puts the bridge close to the vibrating center of the Adirondack Red Spruce top. The back, sides and neck are Mahogany, a pairing that provides a crisp, sparkling clarity and good note separation. The fingerboard and bridge are East Indian Rosewood. The body is bound with a creme ivoroid and herringbone purfling. Herringbone was a very common guitar decoration right up until World War II, but it came from Germany and when US stocks ran out, they couldn’t be replenished. Most subsequent instruments used plainer, multi-layer purfling. The tuning gears are Grover Sta-Tite models.
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MORE →The Gold Tone MM-150 half-inch-thick maple rim carries an authentically-designed Whyte Laydie -style scalloped three-piece brass tone ring under an eleven-inch Remo Renaissance head. Premium parts include a comfortable maple neck, rosewood fingerboard with snowflake inlays and a frailing scoop, vintage Fairbanks-style headstock design, planetary tuners, Vega-style armrest, and No Knot tailpiece. The MM-150 is completely set up at the Gold Tone Factory.
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MORE →The Gold Tone CC-100R is a newbie player’s dream come true. It is the only modestly-priced full-featured banjo that comes with a maple neck with a two-way adjustable truss rod and separate rosewood fretboard, a hard-rock maple rim with twin coordinator rods, and it’s CONVERTIBLE! The natural-blonde finished CC-100R has a resonator that’s easily removed for true openback playing, helping new players become comfortable with different playing styles with just one banjo. Gold Tone’s superb factory setup in Florida further adds to the CC-100R’s value.
This instrument has sold
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