The Larrivee OM-40 Legacy model is a tonally well balanced orchestra size flat top with classic appointments. It features a mahogany back and a sitka spruce top. This tone wood combination provides rich midrange warmth and smooth articulation.
Canada
Built to compete with the Gibson L-7 and Epiphone Triumph, the Vega C56 Archtop was built from the 1930s until 1950. It was was Vega’s most popular full sized guitar and featured a solid Spruce top with Maple sides and back, Mahogany neck and Rosewood fingerboard. Here we have a Vega C56 archtop in the natural finish introduced in 1940. The serial number is somewhat below other models known to have been produced in 1940, so there’s a possibility this example was built in 1939. The top is solid Spruce, likely Adirondack.
This instrument has sold
MORE →Here is a rare treat – an Eric Sahlin Classical Guitar from 2012 with Western Red Cedar top and Central / South American Rosewood body, and a wonderful tone. It also sports a number of subtle but eye-catching visual details. Eric Sahlin has been building classical guitars and some lutes since 1975 and full time since 1979 in the Spokane, Washington area. His instruments are highly regarded and he is represented by Guitar Salon International, but his waiting list is currently nine years long.
This instrument has sold
MORE →Here is a rarity – a Patt Lister Classical Guitar built in Collingwood, Ontario during 1970 and featuring a lattice braced back and concentric fan braced top. Here is a rarity – a Patt Lister Classical Guitar built in Collingwood, Ontario during 1970 and featuring a lattice braced back and concentric fan braced top. This Patt Lister Classical guitar uses a Red Cedar top paired with Maple for the sides and back, with Spanish Cedar for the neck and Spruce for the tall top and back bracing. The fingerboard is Ebony, while both the bridge and head plate are Indian Rosewood.
This instrument has sold
MORE →Here we have a new Huss & Dalton TOMR Custom featuring a Thermo-Cured Sitka Spruce top and Indian Rosewood back and sides! The model name breaks down to Traditional Orchestra Model Rosewood. On this guitar, the Custom refers to the choice of the thermo-cured Sitka top; it’s also available with an Adirondack or Red Spruce top, and without the thermo-cure. Thermo-cured wood is also known as baked, torrefied, and by Martin as part of their VTS (vintage tone system). The process uses controlled, high heat, atmospheric pressure and minimal oxygen and simulates aging.
The Gibson SG Standard utilizes classic design elements and features from the late 60’s models that are sought after by many players. The rounded double cutaway body and long tenon 19th fret neck joint provide excellent, nearly unrestricted access all the way up the fretboard. The neck profile is rounded and feels very solid without being too thick. The electronics featured on the Gibson SG Standard are the traditional two volume, two tone controls with three way toggle switch and 490R and 490T humbuckers with Alnico 2 magnets.
This instrument has sold
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