We’re starting off the day with an interesting Gibson L-0 guitar dating to 1927 that was originally sold through T.E. Bevan and Co. Ltd at Grosvenor House in Calcutta.
This instrument has sold
MORE →We’re starting off the day with an interesting Gibson L-0 guitar dating to 1927 that was originally sold through T.E. Bevan and Co. Ltd at Grosvenor House in Calcutta.
This instrument has sold
MORE →Here we have another Martin D-28 Brazilian Rosewood Dreadnought steel string guitar dating to 1969. This was officially the last year that the Martin guitar company used Brazilian Rosewood, though it was found in smaller portions until about 1973 when their last supplies were exhausted. The Dreadnought steel string, as found on guitars like the C F Martin D-28 Brazilian and the rest of their ‘D’ line, has been one of the most successful guitar designs. Used by countless guitarists and on many recordings, the Dreadnought brought banjo-matching volume.
This instrument has sold
MORE →The Gibson J-50 first appeared alongside the J-45 in 1952 as a pair of slope or round-shouldered dreadnoughts, the J-50 in Natural and the J-45 Sunburst. These models replaced the J-35, built from 1936 to 1942. The two guitars are structurally very similar, but the natural-finish J-50 received multi-layer top binding and better visual grade Spruce tops as there was no tint to hide imperfections. For this reason, the J-50 carried a higher price.
This instrument has sold
MORE →he Gibson J45 Slope Shouldered dreadnought, or Jumbo, was introduced in 1942 to replace the J-35, which had been built since 1936. It has remained in production ever since, and its rich warm tones make it a great match with a singer. Intended as a ‘working man’s guitar’, the Gibson J43 Slope Shouldered model was very similar to the J-35, but for the most part has stiffer, stronger and taller bracing shifted slightly back from the soundhole and a rounded neck profile.
This instrument has sold
MORE →This Larson Brothers Maurer 551 dates to the late 1920s and uses an Auditorium sized body, 15 inches wide. As was often the case in the period, there is no serial number and records are scarce, so it is difficult to date exactly. The top is Spruce, the back and sides are Brazilian Rosewood, with a number of old repairs to both. The neck is mahogany, with Ebony used for the fingerboard and bridge. The scale length is a modern 25.6 inches, and the nut width a fairly wide 1.9 inches. The finish base is original but there are a number of touchups and some overspray.
This instrument has sold
MORE →This Gibson ES335 Dot Neck Thinline, built during 1959 features the now standard construction – Maple laminate top, back and sides, Maple center block, Mahogany neck and bound Rosewood fingerboard. For these early models, the Rosewood used was sourced from Brazil – at the time, this was an extremely common wood and used on even low cost instruments. This guitar was originally shipped with a Bigsby tailpiece; this was removed, put in the case, and replaced with a stop tailpiece.
This instrument has sold
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