In Part 1 of the Hollowneck Report, we took an overview of our project comparing five squareneck National ResoPhonic guitars as bluegrass instruments. In The Hollowneck Report Part 2 we’ll start into the recordings so you can see and hear what they’re really like.
Bluegrass
The Hollowneck Report Part 3 features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.
The Hollowneck Report Part 3 features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.
The Hollowneck Report Part 5 features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.
The Hollowneck Report Part 6, our final installment, features National ResoPhonic guitars played by Burke Carroll in contemporary Bluegrass tuning, with Chris Bennett on rhythm.
Wildwood banjos continue to be one of the most prominent of our professional level banjo lines. These U.S. made instruments feature a “flat head style” cast tone ring, one piece cast resonator flange, fancy fiddleback maple or American black walnut necks inlaid with mother of pearl and abalone, binding and purfling, and fancy figured matching resonators … truly hard driving workhorses designed to make serious bluegrass music!
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